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Soft Cell's Musical Force Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell alongside Marc Almond at Leeds during 1977

Dave Ball, a key member of the innovative 1980s electronic music duo Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the pair scored a worldwide hit with their version of Gloria Jones' Tainted Love in 1984, and their debut album their initial full-length release is regarded as a seminal work of synth-pop.

He subsequently formed the pioneering techno group The Grid, who achieved popular acclaim with their 1994 single Swamp Thing.

Ball died calmly in his sleep at his home in London on Wednesday 22 October, only a short time after performing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

During that show, Ball appeared in a wheelchair, as he had for the last two years, after a period of health issues.

"I ended up damage myself quite a bit," he commented in a recent interview. "I broke lower vertebrae in my spine and cracked about five ribs and fractured my wrist."

After catching pneumonia and developing blood poisoning, he was placed in an medically-induced sleep and stayed in hospital for seven months.

Nevertheless, he had been in "a great place mentally" during the summer, as he was developing a fresh record with Almond, called the upcoming Danceteria, which is set for publication next year.

"He was concentrated and so happy with the latest project that we actually completed only a few days ago," said the vocalist in a heartfelt message.
"It's so sad as next year was all set to be such an uplifting year for him, and I take some solace from the knowledge that he listened to the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the early 1980s

Tributes

Almond referred to his bandmate as "a wonderfully brilliant creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an significant aspect of my existence and for the songs you gave me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".

"Being in a duo with someone is distinct from joining a group, the connection is very tight," he added.
"That was the case with us. We experienced so many extraordinary, incredible, life-affirming moments together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Formative Years

Brought into the world into a single-parent household in the city of Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.

He grew up in the seaside town with his new family Donald and Brenda Ball, who altered his given name from Paul to David, together with his sibling his sister, who was similarly welcomed.

He met Almond at an art college in 1977, where they were both learning fine arts. Inspired by a shared love of a music genre, they established Soft Cell the very year, and promptly recorded an extended play.

Creative Collaboration

The duo were an distinctive pairing: Ball was the quiet technician, bent over his synthesizer, while Almond was a charismatic performer, all sparkle and eye-liner; but they attained a unique musical alchemy.

Ball had cultivated a fascination with electronic instruments after viewing the band Kraftwerk perform on BBC program Tomorrow's World, and started to combine moody electronic sounds to the soaring melodies Almond was writing.

Their signature song became the UK's second most popular song of the early 80s, shifting 21 million copies worldwide. Alongside hits by other artists, Human League and Ultravox, it contributed to paved the way for the electronic music style of the 1980s.

The song was also included on their full-length debut, Non-Stop Erotic Cabaret, which produced two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The duo were developing fresh songs until just before Ball's passing

Career Highlights

Fame had its benefits. "I enjoyed being able to purchase my initial property, having money and exploring, which might seem like a Miss World," Ball not long ago shared with a publication.

But it also presented problems. "Sudden riches meant we could afford newfound drugs to alleviate the monotony" of media interviews and TV performances, Ball explained.

"I realize that's a cliché, but it's a cliché for a valid cause, because it works for so many musicians."

During the hedonistic lifestyle, the pair were also growing distant, but they succeeded to create a second classic album - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They put out another LP, their 1984 release This Last Night In Sodom, before dissolving the group to focus on individual endeavors.

Almond went on to have a successful individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed acid house with melodic sounds over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in 2001, producing the Top 40 album Cruelty Without Beauty.

After another hiatus, they reappeared in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the O2 Arena on September 30, that year.

However, they remained active, recording their latest project, Happiness Not Included, during the pandemic restrictions.

Ball lately characterized the band's new album as a homage to the NYC nightlife they visited while making their first two albums.

He added that his period in medical care had shaped the group's music.

"I experienced unusual memories when I was in and out of the hospital because I was on pain medication," he told a music magazine.
"The new songs are a digital reflection of the sounds in my head from those days.
"Simultaneously, it's about the times me and Marc got up to in the 80s."

The last versions were finished only a short time before Ball passed away. It is scheduled for release in the spring of 2026.

About the author

Janet Fisher

A passionate historian and travel writer specializing in Italian medieval architecture and cultural heritage.

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